Welcome home, Hervé et Stéphane!
Hooray, hooray, hooray, oh joy! Good news: wonderful, isn’t it? Latest reports I’ve seen say they’re expected back in France tomorrow am.
We shall not see his like again
Solvitur ambulando: the peripatetic approach to problem solving; a notion usually attributed to St Augustine, but one to which Patrick Leigh Fermor (who died in England on 10 June) retained a lifelong devotion expressed in inimitable style. The young Patrick was expelled from school, where he had been marked out by his house-master as ‘a dangerous combination of sophistication and recklessness’. ‘Sophistication’ doubtless referring to his already considerable powers of attraction as well as his restless intellect, and ‘recklessness’ to his sense of mischief, capacity for self-reliance and courage: these would probably be his own gloss upon the terms, and his life bears that out. Aged just 18, he decided to go for a walk. From the Hook of Holland to Istanbul. Characteristically, he made it; even better, he wrote about it. And what writing! A man of legendary courage, voracious curiosity, dazzling erudition and extraordinary talent for languages, Patrick Leigh Fermor was one of the most interesting and attractive personalities 20th century England produced. He loved life and possessed to an unusual degree the capacity to live it to the full, intensely engaged by all he saw on his travels and painting vivid word pictures with uniquely poetic clarity. He was not so much a travel writer, more a traveller who wrote – beautifully.
Better writers than I have paid him fitting tribute and Tom Sawford’s marvellous blog will tell you so much more than I possibly could. All you need to know, that is, before you turn – or return – to Patrick Leigh Fermor’s true legacy, his books.
Heureux qui comme Brassens
Lucky sod, Ulysses. Having a home to return to, I mean – not sure I could have coped with the male equivalents of Circe, let alone bally Scylla and Charybdis. Oh, hang on a minute: I already have! But that’s another story. And a thoroughly tedious one at that, so we shall leave it untold.
I feel homesick. Yes, yes, I know: utterly pathetic, as well as entirely irrational. I haven’t got one of those – a home. I had one, and I miss it. Most mornings I wake up wondering where I am before I even begin to work out how …
But faced with zero choice, there’s nothing that can be done. Simple as that.
So briskly back to that title. I am not raving in lunacy. Honestly (as ever, you’ll have to take my word for that). I’m not referring to Heureux qui, comme Ulysse by Du Bellay either, lovely as the poem is. I have been listening to the song sung by Georges Brassens.
Brassens was an artist whose passion for poetry colours all his compositions, from the mournful resignation of Le petit cheval blanc to mischief and mockery, eg Le gorille. Combine all this with beguilingly rhythmic melodies, and you have all the profundity and playfulness required to fight off a fit of the glums.
Brassens: now there was someone who never lost his love of home, and who knew how to form a family from friends – and hang onto it. Who cares if the ties that bound the latter to the former were at least in part monetary? Aren’t they always? Friend Eugénie and I reached this conclusion several years ago (Jane Austen, of course, got there long before us – albeit with immeasurably superior intelligence and talent). What matters to most wanderers is having somewhere to go at journey’s end. A place of safety and solace that is in itself a reward for successfully surmounting trials, tribulations – and shady sirens. And Brassens, while transplanted and travelling, never lost his attachment to his roots or to those who would always nurture him. He was wise in his generosity.
Brassens also had a marvellous sense of humour – as do so many of those rare, empathic types – and his own particular take on the generation gap, especially as it applies to those masculine versions of Circe and Co, is a characteristically elegant comic turn in itself. Sheer connerie – such a lot of it about; but hasn’t there always been? Yes, answers Brassens: le temps ne fait rien à l’affaire*. Best to laugh at it. And who better to laugh with, than Georges?
Bon weekend!
* text
More about Brassens (in French).
Pic sourced from Commons Wiki.
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Honourable Ladies – a consumer’s guide
A bit preoccupied at present, so this is a re-posting of something I made earlier which came into my mind when I was chatting with a woman I know in the quartier. We’d been discussing neighbourliness and its spiteful opposite, and she commented that it is still important to do good, on however small a scale, and that this is open to all: you don’t need to stray from your own neighbourhood or go out of your way especially, whether literally or figuratively! Enjoy – or not, as the case may be (;-)):
Ladies Muck and Bountiful – two different types, or is it ‘archetypes’? It seems that way all too often. Is there a factory somewhere, where they are cloned – along the lines of Max Boyce’s lyrics about Welsh internationals?
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Boys will be boys
No shit?
No hypocrisy, either? No cop-out intended?
Hm.
Having read, watched and listened with increasing outrage while a bunch of fuckwitted twunts pompous pundits attempted to excuse the inexcusable, the unthinkable has happened: I’m speechless. Well, almost. I’m certainly so angry I can barely type, let alone string together a coherent sentence. And the anger keeps getting fed …
Yesterday evening I saw representatives of the Inner Circle (? ‘Sanctum’) of Parisian political journos stating their case for privacy with relation to youknowwhat (or, perhaps, ‘whom’?). I don’t know whether or not the accused at the centre of this French furore is guilty, but I do know a pitifully thin case when I hear one – and this one, on ‘necessary’ restrictions to press freedom, was based entirely upon the premise that were the press in France to adopt the US or UK model, then the French would be subjected to a never-ending diet of mischief, mad speculation and malevolent gossip. All of which, I agree, exist in both the US and UK media. But that’s not the whole story – and those polemicists mentioned above bloody well know it. For a start, they’re ignoring what the native press does with regard to foreign stories where personalities involved are routinely and callously subjected to idiocies and indignities (eg the treatment of ‘Lay-dee-Dee’) .
Those contentious hacks on the screen yesterday also know – and if they don’t, then they’re even more arrogantly narrow-minded than I had supposed – that the gutter press is not by and large taken especially seriously, even by many of its readers. We know we’ve got a rather rancid press (and guess what: we can ignore it – yes, really!). The upside is that it is bloody hard for people in the public eye to hide deeds that are liable to affect not only their reputations (and by extension that of the institution they represent) but also their efficacy and reliability. We, the people, must be able to hold our leaders accountable. If we can’t, what does this make of our entire system of government? A cynical little joke to be sniggered over by a bunch of over-paid, smug hacks in a telly studio while the poor, bloody electorate goes to hell in complete – and completely puzzled – ignorance? Hardly healthy – no wonder France is the Promised Land for the conspiracy theorist!
During the brief debate absolutely no mention was made of the FACT that the name of Acronym’s alleged victim has not only been splashed all over the French media but her native village visited and reported from, her neighbours/rellies/friends interviewed and the whole shameful shebang.
Hypocrisy, much?
As for the alleged ‘perp’, his reputation is hardly enhanced by the company he keeps, given the array of excuses made on his behalf. I won’t even begin to address them – other and better writers have done it for me. And, in my view, the best analysis so far has been made by this talented young journalist (for francophones only: sorry and all that).
On a personal note – and, yes, I do believe ‘the personal is political’ – I have experience of rape among far too many other manifestations of male fear and hatred of women, including DV. I know perfectly well the differences between harassment, attempted seduction and violation. To most women, these are obvious. To a number of men, also – or so I hope. As for the rest, time for these overgrown, superannuated boys to become fully adult, ie capable of assuming responsibility and in doing so demonstrating respect for those they represent. How many more centuries is that process liable to take?
All pix sourced via Wiki Commons (click to enlarge) – and, yes, they’re all French puns: so?
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Nous ne les oublions pas
A year has now passed since the post below was published. What is happening to this pair and all the other hostages is unimaginable, as is the suffering of those who care for them. Formerly an exerciser of their trade in safety, I salute their courage in risking all to bring us the news we depend upon so much. Whatever we may say about the press, we still – for the most part – benefit from its freedom. A precious freedom which must be protected and never lost. Like all that is worth having, it comes at a high price.
From 13 May 2010:
This weekend the boss of France-Télévisions Patrick de Carolis (un Provençal, d’origine arlésienne) flies to Afghanistan to see what may be done to free two French journalists who have now been been held hostage there for 135 days – since 29 December 2009, in fact.
Their names are Stéphane Taponier and Hervé Ghesquière, and a campaign for their release has been underway for some time. Florence Aubenas, who is fronting the campaign, has said that there is no such thing as a small gesture – ie even the smallest contribution counts. So as I was once a journo myself, I’d like at the very least to show solidarity with their cause.
Apparently, the pair are in good health; but I cannot begin to imagine how fearful they, their loved ones, and their friends and colleagues must be. God bless them and all those trying to ensure that Stéphane and Hervé soon descend the stairs of their plane to set foot once more on French soil.
Entente musicale
Nadia appeared on my doorstep yesterday, pyjama-clad and brimming with excitement.
“Come with me tonight – the choir are singing at the church over the road! My friend is with them, and it’s for a good cause!” Sensing indecision, she yanked on my arm: “Come! It’ll be fun!”
Off she scampered across the landing, the compact bundle bursting with youthful energy and enthusiasm that she both is and is not.
An evening in front of Arte’s transmission of Adriana Lecouvreur with none other than Jonas Kaufmann beckoned, so the choice wasn’t easy. Still, Nadia is nearly impossible to resist. Besides which, why bother?
After supper Nadia, Mado and I went forth, charging across the main road and then another street, attempting to intercept a taxi’s progress without success. I dragged a disapproving Nadia out of his path.
“He must be gay” tutted Nadia, “otherwise he would have stopped for us, such belles filles as we are!”
In the churchyard, volunteers had set out their wares – a choice of snacks and cakes, drinks hot and cold, that we eyed with intent: something for the interval.
Inside the joint was jumping, or rather a crowd of small children, dressed to the nines in page-boy or princess style, were. Although they were remarkably quiet, their restiveness compensated for by buttoned lips all round.
But not for long: the concert began with the children’s voices competing with tom-toms. No contest, I fear: kids nil; tom-toms 3. Proud parents (except those of the tom-tom smiters) tried to hide their disappointment in mobile phone flashes and digital camera filming. I sighed inwardly, already feeling deprived of der Jonas, and his ability to balance unrestrained romanticism with integrity of heroic proportions. The kids and, later, the adult choral singers had … competition.
Or so I thought. Gradually, the sheer convivial energy of live music-making worked its habitual magic. On most of the audience, that is. A few sneaked away after the first set. Their loss, for the offending drums were discarded and the second half of the evening consequently came alive: an unforgiving acoustic was triumphantly overcome, and the concert ended with wholehearted audience participation followed by a cheering, stamping standing ovation.
In the interval, Mado, Nadia and I had joined the crowds in the churchyard to eat cake and slake our thirst. I met some of the choir who’d recognised Nadia as a former member (she’d been too busy with other matters this year to participate), and we all agreed that those blardy drums had been too much: “they spoiled everything,” lamented Nadia, as Mado and I nodded in frustrated agreement. “It would have been better not to have had any drumming.”
We went back inside to join a more … intimate audience.
The two soloists, Coline and Alex, were fabulous in their own ways: Coline a trained mezzo, and Alex with a less refined – but still rounded, rich and full – pop-style voice. The material selected was just right for each one, with the inevitable trotting out of Gounod’s syrupy Ave Maria, which at least served to showcase Coline’s voice as the powerful and beautiful instrument it is, and complemented Alex’s full-throated and dramatic interpretation of the old Aznavour standard, La Bohème.
Time sped by, and suddenly it was the end: the place erupted with a final rendition of Oh, Happy Day – complete with Nadia, Mado and me all bawling along loudly (and with entirely appropriate cheerfulness) – before we all spilled out into the semi-darkness of late night on a Saturday.
Walking the short distance back home, our conversation tripped and bounced from topic to topic like the child choristers at the beginning of the evening. Tipping ourselves into the lift, we toyed with the idea of disturbing the residents – “Our turn,” said Nadia, “to show them what it’s like!”
Mado and I grinned ruefully.
I asked if they’d heard the racket last week, when the lad on the top floor held a mid-week party that went on ’till after 4 o’clock in the morning. They had; how could they not?
“I came back from my shift around the time they were leaving,” snapped Mado, “and so had the dubious pleasure of bumping into some of them – they were rat-arsed and stinking of booze!”
“Monsieur Pastorelli told me he’d asked them to pipe down at 2 o’clock,” I reported. “But they just carried on. Honestly, the very idea of anyone ignoring Monsieur Pastorelli!”
Three minds duly, simultaneously and tacitly, boggled at the thought.
As we sighed, agreed our musical evening had been fun and made our farewell embraces, another thought struck us: the event had been a huge success, raising an impressive sum for the charity it was sponsoring. Thanks to one of the charity organisers, we had already heard the good news: “Musicality, conviviality and solidarity,” he’d said. “All conjoined to great effect.” A recently-founded charity catering for homeless youngsters had received just the cash booster it required. In raising the roof of the church, they – and we – had helped provide shelter for people in need.
So Jonas Kaufmann (and Cilea) can wait. For a while anyway.
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